What follows is an ever-expanding bibliography of important or particularly insightful references that may be of use to the inquisitive, the researcher, or the theorist working in a multitude of fields. The bibliography only works and remains current if you, dear reader, contribute to it yourself. To do so simply email your additions in the same format as the rest to peril@cia.com.au who will process and update the list. Plain Text or MS-Word format versions are available to youth>sound<space subscribers.

Abrahams, R D (1970) Deep Down in the Jungle: Negro Narrative Folklore From the Streets of Philedelphia Aldine, Chicago

Abrahams, R D (1976) Talking Black : Newbury House Rowley, Massechusetts

Abrahams, R D. (1992) Singing the Master: The Emergence of African-American Culture in the Plantation South Pantheon, New York

Abrahams, R D and J Szwed (1983) After Africa Yale University Press, New Haven

Adler, B (1991) Rap: Portraits and Lyrics of a Generation of Black Rockers St Martins Press, New York

Adorno, T W (1993 [1938]) On The Fetish Character in Music and the Regression of Listening" in Arato, A and E Gebhardt eds, (1993): 270-299 

Adorno, T (1962) Introduction to the Sociology of Music, Seabury Press, New York

Adorno, T and Horkheimer, M (1977) The culture industry: enlightenment as mass deception, in Curran, J, Gurevitch, M and Woollacott, J (eds) Mass Communication and Society, Edward Arnold in association with the Open University Press, London, 349-83

Agamben, G (1993) The Coming Community University of Minnesota Press, Minneapolis and London

Aldskogius, H (1993) Festivals and meets: the place of music in ‘summer Sweden’, Geografiska Annaler, 75B, 55-72

Alleyne, M (1994) Positive Vibration? Capitalist Textual Hegemony and Bob Marley, Bulletin of Eastern Caribbean Affairs, 193, September, 76-84

Allinson, E., 1994, "It’s A Black Thing - Hearing How Whites Can’t" in Cultural Studies, Vol 8, No 3, October 1994.

Anderson, B (1991) Imagined Communities: Reflections on the Spread of Nationalism Verso, London and New York

Appadurai, A (1990) Disjuncture and Difference in the Global Cultural EconomyPublic Culture 2, 2: 1-24.

Arato, A and E Gebhardt, eds (1993) The Essential Frankfurt School Reader : Continuum, New York

Attali, J (1985) Noise: the Political Economy of Music, Manchester University Press, Manchester

Amit-Talai and Wulff, H (eds) Youth Culture: a Cross-cultural Perspective, Routledge, London (incl. C. Jourdan, Masta Liu, M. Schude-Poulsen ‘The Power of Love: Rai Music and Youth in Algeria’)

Arnett, JJ (1996) Metalheads, Youth Culture and Alienation, Westview (violence - rage and celebration, into the mosh pit "heavy metal speaks throbbingly the message of rage, loneliness and cynicism" heavy metal concert as substitutive manhood ritual)

Arnold, B (1991) Music, meaning and war: the titles of war compositions, International Review of the Aesthetics and Sociology of Music, 22,1, 19-28

Arnold, G (1993) On the Road to Nirvana, Pan, London

Azerrad, M (1992) Grunge City: On the Seattle Scene, Rolling Stone, 628 (16 April) 43-48

Back, L (1996) New Ethnicities in Urban Culture, UCL Press, London

Bailie, S (1993) Up Against The Law, New Musical Express, 8 May, 26-28 (on rave culture and government clampdowns and regulations CJA)

Baily, J (1994) The Role of Music in the Creation of an Afghan National Identity, 1923-73, in Stokes, M (ed) Ethnicity, Identity and Music: the Musical Construction of Place, Berg, Oxford, 45-60

Baker, H. A., 1993, Black Studies, Rap And The Academy, University Of Chicago Press, Chicago.

Barber, K and Waterman, C (1995) Traversing the global and the local: Fiji music in contemporary Yomba popular culture, in Miller, D (ed) Worlds Apart: Modernity through the Prism of the Local, Routledge, London

Barnes, K (1990) Top 40 Radio: A Fragment of the Imagination, in Frith, S (ed)Facing the Music: Essays on Pop, Rock and Culture, Mandarin, London, 8-50

Barthes, R (1972) To Write: An Intransitive Verb? in DeGeorge, R and F DeGeorge (eds) (1972) The Structuralists From Marx to Lévi-Strauss Doubleday & Co, New York: 157-165

Barthes, R (1977) The Grain of the Voice, in Frith and Goodwin 1990: 293-300

Bataille, G (1986 [1957]) Erotism: Death and Sensuality translated by Mary Dalwood City Lights Books, San Francisco

Baudrillard, J (c1981) For a Critique of the Political Economy of the Sign

translated with an introduction by Charles Levin. Telos Press St. Louis, Missouri

Baudrillard, J (1983) Simulations Semiotext(e), New York

Baudrillard, J (1988) America Verso, London and New York

Bauman, Z (1992) Intimations of Postmodernity, Routledge, London (‘This heterogeneity is reflected in neo-tribes, defined in terms of a ‘multitude of individual acts of self-identification...The acts of self-identification on which neo-tribes exist involve ‘individual decisions to sport the symbolic tags of tribal allegiance’ (Bauman, 1992, in Halfacree and Kitchin, 1992:48);

Bayton, M (1993) Feminist Musical Practice: Problems and Contradictions, in Bennett, T, Frith, S, Grossberg, L, Shepherd, J and Turner, G (eds)Rock and Popular Music: Politics, Policies, Institutions, Routledge, London, 171-176

Beadle, J (1993) Will Pop Eat Itself?, Faber and Faber (useful on the sound bite era and sampling)

Beckett, J (1993) ‘I Don’t Care Who Knows’: the songs of Dougie Young, Australian Aboriginal Studies, 2, 34-38

Bennett, T, Frith, S, Grossberg, L, Shepherd, J and Turner, G (eds) (1993)Rock and Popular Music: Politics, Policies, Institutions, Routledge, London

Bercovitch, S (1981) The Rites of Assent: Rhetoric, Ritual and the Ideology of American Consensus, in The American Self: Myth, Ideology and Popular Culture, Albuquerque, NM

Berendt, Joachim-Ernst, (1987) Nada Brahma: the world is sound, Destiny Books: Vermont

Berry, C 1994 A Bit on the Side: East-West Topographies of Desire EMPress, Sydney

Bey, H., 1991, Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism, Autonomedia, New York.

Bhabha, H K (1994) Dissemination: Time, Narrative and the Margins of

the Modern Nation inThe Location of Culture : Routledge, London and New York: 139-170

Biddle, J L (1993) The Anthropologist’s Body or What It Means to Break Your Neck in the Field The Australian Journal of Anthropology 4, 3: 184-197

Biggs, C L and R Bauman (1992) Genre, Intertextuality and Social Power" in Journal of Linguistic Anthropology 2, 2: 131-172

Black, J (1994) The Streets of San Fransisco, Q Magazine, May, 48-49

Blacking, J (1995) Music Culture and Experience, University of Chicago Press, Chicago

Blair, M E (1993) Commercialization of the Rap Music Youth Subculture Journal of Popular Culture 27, 3: 21-34

Blair, M and Hyatt, E (1992) Home is Where the Heart Is: an Analysis of Meanings of Home in Country Music, Popular Music and Society, 16, 4, 69-82

Bloomfield, T (1991) It’s sooner than you think, or where are we in the history of rock music?, New Left Review, 190, 59-81

Blum, S et al (1991) Ethnography and Modern Music History, University of Illinois Press, Urbana

Booth, GD (1993) Traditional practice and mass mediated music in India, International Review of the Aesthetics and Sociology of Music, 24, 2, 159-174

Bourdieu, P (1984) Distinction: a social critique of the judgement of taste, Routledge and Keegan Paul, London

Bourdieu, P (1993) The field of cultural production, Polity, Cambridge

Boyes, G (1993) The Imagined Village: Culture, Ideology and the English Folk Revival, MUP

Brabazon, T (1993) From Penny Lane to dollar drive, Public History Review, 2, 108-124

Brackett, D (1995) Interpreting Popular Music, Cambridge University Press, Cambridge

Bradby, B (1989) God’s Gift to the Suburbs?, Popular Music, 8, 1, 109-116

Bradby, B (1993a) Sampling sexuality: Gender, technology and the body in dance music, Popular Music, XII/2

Bradby, B (1993b) Lesbians and popular music: does it matter who is singing? in Griffin, G (ed) Outwrite: Lesbians and Popular Culture, Pluto, London

Bramwell, M (1993) Paul Kelly and his songs, Island, 56, Spring, 50-54

Branscombe, HE (1993) Literacy and a popular medium: the lyrics of Bruce Springsteen, Journal of Popular Culture, 27, 1, Summer, 29-42

Breen, M (ed) (1987) Missing in Action: Australian Popular Music in Perspective, Verbal Graphics, Melbourne

Breen, M (ed) (1989) Our Place Our Music, Aboriginal Music: Australian Popular Music in Perspective Vol. 2, Aboriginal Studies Press, Canberra

Breen, M (1992) Magpies, lyrebirds and emus: record labels, ownership and orientation, in Hayward, P (ed) From Pop to Punk to Postmodernism: Popular Music and Australian Culture from the 1960s to 1990s, Allen and Unwin, North Sydney, 40-54

Breen, M (1993) Making Music Local, in Bennett, T, Frith, S, Grossberg, L, Shepherd, J and Turner, G (eds)Rock and Popular Music: Politics, Policies, Institutions, Routledge, London, 66-82

Breen, M (1994) Constructing the popular from public funding of community music: notes from Australia, Popular Music, 13, 3, 313-326

Breen, M (1995) The End of the World as we Know it: popular music’s cultural mobility, Cultural Studies, 9, 3, October, 486-504

British Broadcasting Corporation (1989) Rhythms of the World, BBC, London

Bromberg, C (1989) The Wicked Ways of Malcolm McLaren, Omnibus, London

Brown, M (1994) Funk music as genre: black aesthetics, apocalyptic thinking and urban protest in post-1965 African-American pop, Cultural Studies, 8, 3, October, 484-

Buckland, I (1991) Institutions and Ideology of the Disemination of Morris Dances in the Northwest of England, Yearbook for Traditional Music, 23, 53-67

Bullen, M (1993) Chicha in the Shanty Towns of Arequipa, Peru, Popular Music, 12, 3, 229-244

Burgess, J (1990) The production and consumption of environmental meanings in the mass media: a research agenda for the 1990s, Transactions, Institute of British Geographers, 15, 2, 139-161

Burnett, R (1992) Dressed for success: Sweden from Abba to Roxette, Popular Music, 11, 2, 141-150

Burnett, R (1993) The Popular Music Industry in Transition, Popular Music and Society, 17, 1, 87-114

Butler, RW (1984) The geography of rock:1954 - 1970, Ontario Geography, 24, 1-37

Cantwell, R (1992) Bluegrass Breakdown: The Making of the Old Southern Sound, Da Capo Press

Carlton, R (1993) Folk-song, chant, and the English symphonic renaissance: a case-study of ethnic musical identity, International Review of the Aesthetics and Sociology of Music, 24,2 129-142

Carney, GO (1980) Geography of music: a bibliography, Journal of Cultural Geography, 1, 185-186

Carney, GO (1990) Geography of music: inventory and prospect, Journal of Cultural Geography, 10, 2, 35-48

Carney, GO (ed) (1994) The Sounds of People and Places: Readings in the Geography of American Folk and Popular Music, University Press of America, Rowman and Littlefield

Castles, J (1992) Tjungaringanyi: Aboriginal rock, in Hayward, P (ed) From Pop to Punk to Postmodernism: Popular Music and Australian Culture from the 1960s to 1990s, Allen and Unwin, North Sydney, 25-39.

Cellestad, N (?) (1987) Rock n Roll Rebellion: Subversive Effects of Live Aid and ‘Sun City’, Popular Music and Society, 6, 1, 67-76

Chambers, I., 1985, Urban Rhythms - Pop Music And Popular Culture, Macmillan, London.

Chambers, I (1986) Popular Culture: the Metropolitan Experience, Routledge, London

Chanan, M (1995) Repeated Tales: a Short History of Recording and its Effects on Music, Verso

Chapman, M (1994) Thoughts on Celtic Music, in Stokes, M (ed) Ethnicity, Identity and Music: the Musical Construction of Place, Berg, Oxford, 29-44

Charlton, K (1994) Rock Music Styles: A History, Brown and Benchmark, Madison (second edition)

Christenson, P.G. & Peterson, J.B., 1988, "Genre And Gender In The Structure Of Music Preferences" in Communication Research Vol 15 No 3 June 1988, pp282-301.

Clarke, D (1995) The Rise and Fall of Popular Music, Penguin

Cloonan, M (1996) Banned: Censorship of Pop Music in Britain, 1967-1992, Arena, Aldershot

Cocks, J (1992) Seattle’s the real deal, Time, 23 (March), 55

Cohen, S (1991a) Popular Music and urban regeneration: the music industries of Merseyside, Cultural Studies, 5, 332-346

Cohen, S (1991b) Rock Culture in Liverpool: Popular Music in the Making, Clarendon, Oxford

Cohen, S (1993) Ethnography and Popular Music Studies, Popular Music, 12, 2, 213-238

Cohen, S (1994) Identity, Place and the ‘Liverpool Sound’, in Stokes, M (ed) Ethnicity, Identity and Music: the Musical Construction of Place, Berg, Oxford, 117-134

Cohen, S (1995) Sounding out the city: music and the sensuous production of place, Transactions, Institute of British Geographers, 20, 434-446

Collins, J., 1989, Uncommon Cultures - Popular Culture And Post-Modernism, Rouledge, New York.

Cooper, BL (1991) Popular Music Perspectives: Ideas, Themes and Patterns in Contemporary Lyrics, Bowling Green State University Popular Press, Bowling Green, Ohio.

Cooper, BL and Haney, WS (1995) Rock Music in American Popular Culture, Harrington Park Press, Binghampton (valuable, definitive source book, biblio etc)

Cooper, S (1995) Girls Girls Girls: Essays on Women and Music, Cassell

Cosgrove, D and Jackson, P (1987) New directions in cultural geography, Area, 19, 95-101

Cox, P and Douglas, L (1994) Teen Riots to Generation X: The Australian Rock Audience, Powerhouse Publishing, Sydney

Crane, D (1992) High culture versus popular culture revisited: a reconceptualisation of recorded cultures, in Lamont, M and Fournier, M (eds) Cultivating Differences, University of Chicago Press, London, 58-74

Creekmur, C and Doly, A (1995) Out in Culture: Gay, Lesbian and Queer Essays in Popular Culture, Cassell, London

Cross, B (1993) It’s not about a Salary: Rap, Race and Resistance in L.A., Verso, London and New York

Crowe, PR (1995) Melanesian Music on Compact Disc: Some Significant Issues, Pacific Studies, 18, 3, 147-157

Cullen, J (1992) Bruce Springsteen’s Ambiguous Musical Politics in the Reagan Era, Popular Music and Society, 16,2, Summer, 1-22

Curtis, JR and Rose, RF (1987) ‘The Miami Sound’: A Contemporary Latin Form of Place-specific Music, in Carney, GO (ed) The Sounds of People and Places: Readings in the Geography of American Folk and Popular Music, University Press of America, Lanham, 285-299

Cutler, C., 1993, File Under Popular - Theoretical And Critical Writings On Music, Autonomedia, New York.

Danaher, WF and Blackwelder, SP (1993) The Emergence of Blues and Rap: A Comparison and Assessment of the Context, Meaning and Message, Popular Music and Society, 17, 4, 1-12

Daniel, Y (1995) Rumba and Dance and Social Change in Contemporary Cuba, Indiana University Press, Indiana

Davies, R (1994) X:Ray, Penguin

de Curtis, A (ed) (1993) Present Tense: Rock and Roll and Culture, Duke University Press

de Genova, N (1995) Gangster Rap and Nihilism in Black America, Social Text, 43, 89-132

Decker, JL (1994) The State of Rap: Time and Place in Hip Hop Nationalism, in Ross, A and Rose, T (eds) Microphone Fiends: Youth Music and Youth Culture, Routledge, New York.

Deleuze, G., And Guattari, F., 1983, Anti-Oedipus - Capitalism And Schizophrenia, University of Minnesota Press, Minneapolis.

Deleuze, G., And Guattari, F., 1987, A Thousand Plateaux - Capitalism And Schizophrenia II, University of Minnesota Press, Minneapolis.

Dister, A (1992) The Story of Rock: Smash Hits and Superstars, Thames and Hudson

Doucet, SA (1989) Cajun Music: Songs and Psyche, Journal of Popular Culture, 23, 89-95

Douglas, L and Geeves, R (1992) Music, counter-culture and the Vietnam era, in Hayward, P (ed) From Pop to Punk to Postmodernism: Popular Music and Australian Culture from the 1960s to 1990s, Allen and Unwin, North Sydney, 101-112

Dyson, ME (1996) Between God and Ganstga, Oxford University Press, Oxford

Ellis, CJ (1994) Introduction to powerful songs: their placement in Aboriginal thought, The World of Music, 36, 1, 3-20

Erlmann, V (1993) The politics and aesthetics of transnational musics, The World of Music, 35, 2, 3-15

Evans, L (1994) Women, Sex and Rock and Roll, in their Words, Pandora, London

Eyerman, R and Löfgren, O (1995) Romancing the road: road movies and images of mobility, Theory, Culture and Society, 12, 1, Feb, 53-80

Feld, S (1988) Notes on World Beat, Public Culture, 1, 1, 31-37

Feld, S and Fox, A. (1994) Music and language, Annual Review of Anthropology, 23, 23-53

Fernando, SH (1995) The New Beats, Payback Press, Edinburgh

Finnegan, R (1989) The hidden musicians: making music in an English town, Cambridge University Press, Cambridge

Finnegan, R and Orbell, M (1995) South Pacific Oral Traditions, Indiana University Press, Indiana

Finson, J (1994) The Voices that are Gone, Oxford University Press, Oxford (mores and values of th 19th Century American popular songs)

Flores, J (1994) Puerto Rican and Proud, Boyee!: Rap Roots and Amnesia, in Ross, A and Rose, T (eds) Microphone Fiends: Youth Music and Youth Culture, Routledge, New York, 89-98

Ford, LR (1971) Geographic factors in the origin, evolution and diffusion of rock and roll music, Journal of Geography, 70, 455-464

Ford, L and Henderson, F (1974) The images of place in American pop music, 1890-1970, Places, 1,31-7

Fornäs, J (1994) Listen to your Voice: Authenticity and Reflexivity in Rock, Rap and Techno Music, New Formations, 24, Winter, 155-173

Fornäs, J; Lindberg, U and Sernherde, O (1990) Under the Surface of Rock - Youth Culture and Late Modernity, Popular Music and Society, 14, 3, 1-26

Fornäs, J, Lindberg, U and Sernherde, O (1995) In Garageland: Rock, Youth and Modernity, Routledge, London

Foster, SL (ed) (1996) Corporealities: Dancing Knowledge, Culture and Power, Routledge, London

Fox, A (1992) The Jukebox of History: Narratives of Loss and Desire in the Discourse of Country Music, Popular Music, 11, 1, 53-72

Francaviglia, RV (1978) Diffusion and popular culture: comments on the spatial aspects of rock music, in Lanegram, DA and Palm, R (eds) An Invitation to Geography, McGraw Hill, New York, 117-126

Frith, S (1981) Sound Effects: Youth, Leisure and the Politics of Rock ‘n’ Roll, Pantheon, New York

Frith, S (1988) Music for Pleasure: Essays in the Sociology of Pop, Polity Press, Cambridge

Frith, S (ed) (1990) Facing the Music: Essays on Pop, Rock and Culture, Mandarin, London

Frith, S (1990) Video Pop: Picking Up the Pieces, in Frith, S (ed) Facing the Music: Essays on Pop, Rock and Culture, Mandarin, London, 88-130

Frith, S (1992) Adam Smith and Music, New Formations, 18, Winter, 67-83

Frith, S (1993) Popular Music and the Local State, in Bennett, T, Frith, S, Grossberg, L, Shepherd, J and Turner, G (eds)Rock and Popular Music: Politics, Policies, Institutions, Routledge, London, 14-24

Frith, S and Goodwin, A (eds) (1990) On Record, Routledge, London

Frith, S et al (1993) Sound and Vision: the Music Video Reader, Routledge

Frith, S and Horne, H (1987) Art Into Pop, Routledge, London (high and mass culture through art school histories of bands)

Gaines, D (1994) Border Crossing in the USA, in Ross, A and Rose, T (eds) Microphone Fiends: Youth Music and Youth Culture, Routledge, New York, 227-234

Garafalo, R (1993a) Whose world, what beat: the transnational music industry, identity and cultural imperialism, The World of Music, 35, 2, 16-32

Garafalo (1993b) Black Popular Music: Crossing Over or Going Under? in Bennett, T, Frith, S, Grossberg, L, Shepherd, J and Turner, G (eds)Rock and Popular Music: Politics, Policies, Institutions, Routledge, London, 231-248

Gill, W (1993) Region, agency, and popular music: the Northwest sound 1958-1966, The Canadian Geographer, 37,2,120-131

Gillett, C (1970) The Sounds of the City, Sphere, London

Gilroy, P (1991) Sounds Authentic: Black Music, Ethnicity and the Challenge of a Changing Same, Black Music Research Journal, 11, 2, Fall, 111-136

Gilroy, P (1993b) The Black Atlantic, Verso

Girodo, A and Payoe, J (1993) Simply the Best? Tina Turner and the Sponsorship and Promotion of the Winfield Cup, Perfect Beat, 1, 3, 8-22

Glasgow, JA (1987) An example of spatial diffusion: jazz music, in Carney, GO (ed) The Sounds of People and Places: Readings in the Geography of American Folk and Popular Music, University Press of America, Rowman and Littlefield, pp 237 254

Goh, L (1996) ‘the hidden soul of harmony’: gender and identity in the sydney popular music scene, unpublished honours thesis, Department of Geography, University of Sydney, NSW 2006 Australia

Goodall, H (1991) Living in the Rock ‘n’ Roll Mystery, Southern Illinois University Press, Carbardale

Goodwin, A (1993) Dancing in the Distraction Factory, Routledge, London

Goodwin, A and Gore, J (1990) World Beat and the Cultural Imperialism Debate, Socialist Review, 90, 3, 63-80

Gordon, R (1995) It Came From Memphis: The Unturned Roots of Rock and Roll, Secker and Warburg, London

Gottlieb, J and Wald, G (1994) Smells Like Teen Spirit: Riot Grrrls, Revolution and Women in Independent Rock, in Ross, A and Rose, T (eds) Microphone Fiends: Youth Music and Youth Culture, Routledge, New York, 250-274

Gracyk, T (1996) Rhythm and Noise: An Aesthetics of Rock, I.B. Tauris

Gray, M (1995) Last Gang in Town: The Story and Myth of the Clash, Fourth Estate, London

Griffiths, D (1988) Three Tributaries of ‘the River’, Popular Music and Society, 7, 1, 27-34 (on Bruce Springsteen again)

Groce, S (1992) The Sociology of Popular Music: a Selected and Annotated Bibliography of Recent Work, Popular Music and Society, 16, 1, 49-80

Gross, R (1990) Heavy metal music: a new subculture in American society, Journal of Popular Culture, 24, 119-130

Grossberg, L (1984) Another boring day in paradise: rock and roll and the empowerment of everyday life, Popular Music , 4, 225-258

Grossberg, L (1992) We Gotta Get Out of This Place, Routledge, London

Grossberg, L (1993) The Framing of Rock: Rock and the New Conservatism, in Bennett, T, Frith, S, Grossberg, L, Shepherd, J and Turner, G (eds)Rock and Popular Music: Politics, Policies, Institutions, Routledge, London, 193-209

Grossberg, L (1994) Is Anybody Listening? Does Anybody Care?: On Talking About the ‘The State of Rock’, in Ross, A and Rose, T (eds) Microphone Fiends: Youth Music and Youth Culture, Routledge, New York, 41-58

Guilbault, J (1993a) On redefining the ‘local’ through world music, The World of Music, 35, 2, 33-47

Guilbault, J (1993b) Zouk: World Music in the West Indies, University of Chicago Press, Chicago and London (with Gage Averill, Édouard Benoit, and Gregory Rabess)

Guilbault, J (1994) Créolité and the New Cultural Politics of Difference in Popular Music of the French West Indies, Black Music Research Journal, 14, 2, Fall, 161-178

Guralnick, P (1986) Sweet Soul Music, Penguin (r+b and the southern dream of freedom)

Guralnick, P (1991) Lost Highway: Journeys and Arrivals of American Musicians, Penguin (a ‘map’ of country and blues music)

Hakanen, EA and Wells, A (1993) Music preference and taste cultures among adolescents, Popular Music and Society, 17, 1,55- 69

Halfacree, KH, and Kitchen, RM (1996) ‘Manchester Rave On’: placing the fragments of popular music, Area, 28, 1, 47-55

Hall, D (1994) New Age Music: A Voice of Liminality in Postmodern Popular Culture, Popular Music and Society, 18, 2, 13-22

Hall, S and du Gay, P (eds) (1996) Questions of Cultural Identity, London (ch. by Simon Frith on Music and Identity)

Hardy, P and Laing, D (1995) The Faber Companion to Twentieth Century Popular Music, Faber, (second edition)

Harker, P (1985) Fakesong: the mf. of British Folksong 1700 to the Present Day, Open University Press

Harley, R (1993) Beat in the System, in Bennett, T, Frith, S, Grossberg, L, Shepherd, J and Turner, G (eds)Rock and Popular Music: Politics, Policies, Institutions, Routledge, London, 210-230

Harley, R (1995) Acts of Volition - Volition records, independent marketing and the promotion of Australian techno-pop, Perfect Beat, 2, 3

Harrell, J (1994) The Poetics of Destruction: Death Metal Rock, Popular Music and Society, 18, 1, 91-104

Harris, JF (1993) Philosophy at 33 & 1/3 rpm, Open Court, Chicago

Harron, M (1990) McRock: Pop as Commodity, in Frith, S (ed) Facing the Music: Essays on Pop, Rock and Culture, Mandarin, London, 173-220

Havens, D (1987) Up the River from New Orleans and the Jazz Odyssey - Myth or Truth?, Popular Music and Society, 11,4, Winter, 61-74

Hayward, P (1992) Music video, the Bicentenary (and after), in Hayward, P (ed) From Pop to Punk to Postmodernism: Popular Music and Australian Culture from the 1960s to 1990s, Allen and Unwin, North Sydney, 160-171

Hayward, P (ed) (1992) From Pop to Punk to Postmodernism: Popular Music and Australian Culture from the 1960s to 1990s, Allen and Unwin, North Sydney

Hayward, P (1993) Safe, Exotic, and Somewhere Else: Yothu Yindi, Treaty and the Mediation of Aboriginality, Perfect Beat, 1, 2, 31-42

Heath, C (1993) Pet Shop Boys Versus America, Penguin

Hebdige, D (1979) Subculture: The Meaning of Style, Methuen, London and New York

Hebdige, D (1987) Cut ‘n’ Mix: Culture, Identity and Caribbean Music, Routledge/Comedia, London

Hemondhelgh, D (1996) Rethinking Popular Music after Rock and Soul, in Curran, J et al Cultural Studies and Communications, Arnold, London

Henderson, FM (1974) The image of New York City in American Popular Music: 1890-1970, New York Folklore Quarterley, 30, 267-79

Hill, D (1995) Trinidad Pan, Natural History, 104, 2, February, 34-40

Hirshberg, J (1992) In search of a model for transplanted music in migrant communities, Musicology Australia, 15

Hirshberg, J and Seares, M (1993) The displaced musician - transplantation and compartmentalisation, The World of Music, 35, 3, 3-34

Hisama, E (1993) Postcolonialism on the Make: The Music of John Mellencamp, David Bowie and John Zorn, Popular Music, 12, 2, 91-104

Home, S (1995) Cranked Up Really High, Codex, London (alternative account of punk)

Horsley, AD (1987) Geographic distribution of American quartet gospel music, in Carney, GO (ed) The Sounds of People and Places: Readings in the Geography of American Folk and Popular Music, University Press of America, Rowman and Littlefield, 213 - 235

Hughes, D (1964) Recorded Music, in Thompson, D (ed) Discrimination and Popular Culture, Penguin, Middlesex, 152-175

Hughes, P (1992) Girl You Know It’s Industry: Milli Vanilli and the Industrialization of Popular Music, Popular Music and Society, 16, 3, Fall, 39-52

Hughes, W (1994) In the Empire of the Beat: Discipline and Disco, in Ross, A and Rose, T (eds) Microphone Fiends: Youth Music and Youth Culture, Routledge, New York, 147-157

Humphrey, C (1995) Loser: The Real Seattle Music Story, Feral House, Portland

Ice-T and Siegmund, H (1994) The Ice Opinion: Who Gives a Fuck, St Martin's Press, New York

Jarvis, B (1985) The truth is only known by guttersnipes, In Burgess, J and Gold, JR (eds) Geography, the media and popular culture, Croom Helm, London, 96-122.

Johansson, T (1992) Music Video, Youth Culture and Postmodernism, Popular Music and Society, 16,3, Fall, 9-22

Johnson, V (1992) Be my woman rock n roll, in Hayward, P (ed) From Pop to Punk to Postmodernism: Popular Music and Australian Culture from the 1960s to 1990s, Allen and Unwin, North Sydney, 127-138

Jones, S (1993) Who fought the Law? The American Music Industry and the Global Popular Music Market, in Bennett, T, Frith, S, Grossberg, L, Shepherd, J and Turner, G (eds)Rock and Popular Music: Politics, Policies, Institutions, Routledge, London, 83-98

Keil, C and Feld, S (1994) Music Grooves, University of Chicago Press, Chicago

Kellner, D (1995) Media Culture, Routledge (chapters on Madonna and rap)

King, R and Taylor, H (1996) Dixie Debates: Perspectives on Southern Culture, Pluto (marketing in N. Orleans via music, academic Elvis and Cajun)

Kirschner, T (1994) The Lalapalooziation of American Youth, Popular Music and Society, 18, 1, 69-90

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